Movin Out - Al Sears - Swingville Volume 18: Swings The Thing (File, MP3, Album)

Download Movin Out - Al Sears - Swingville Volume 18: Swings The Thing (File, MP3, Album)
Label: Sinetone AMR - AMR 4328 • Format: 8x, File MP3, Album 320 kbps • Genre: Jazz •


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8 thoughts on “ Movin Out - Al Sears - Swingville Volume 18: Swings The Thing (File, MP3, Album)

  1. Illinois Jacquet • Swing's The Thing Illinois Jacquet is considered to be one of the most influential tenor saxophonists in the history of jazz music. Born on October 31, , in Broussard, Louisiana, Jean Baptiste Illinois Jacquet, at the age of 19 on the very first recording of his career, spawned an entirely new style and sound for the.
  2. Sep 19,  · Al did have one more jazz recording session as a leader in on the Swingville LP "Swing's The Thing." He continued to play and record occasionally but in a jazz style rather than rock 'n' roll or R&B. Al remained active in the business side of music, retiring in at the age of seventy. He passed away in
  3. Discover music on Discogs, the largest online music database. Buy and sell music with collectors in the Marketplace.
  4. When Swing Was the Thing provides a descriptive and visual return to the days of that unique period from the mid s to the mid s when fifteen piece swing bands dominated American entertainment, filling ballrooms to capacity, broadcasting on the radio, appearing in the movies, and bringing international fame to the high profile bandleaders.
  5. The Van Gelder Studio is a recording studio at Sylvan Avenue, Englewood Cliffs, New Jersey. Following the use of his parents' home at 25 Prospect Avenue, Hackensack, New Jersey, for the original studio, Rudy Van Gelder (–) established the new location for his recording studio in It has been used to record many albums released by jazz labels such as Blue Note, Prestige.
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  7. {Sign in or become a member to access this story|First off, the full size plan is only for the curvature of the arm, the rest is a scaled drawing. The lengths of the side rails, f.
  8. By late it was already oíd and accepted news that the normally restrained Ralph J. Gleason had bluntly Iabelled him as “the best thing to happen to the guitar since Charlie Christian.” And the list of honors heaped on Wes can hardly have been equalled by any other first-year man.

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